tout ce que la nature nous a donné, la nature le reprendra

 

alivehouse:

can someone hire me as a lighthouse keeper. my grip on reality is soooo stable and i will behave so normally under conditions of extreme isolation. and i promise i wont try to fuck the light

moonlightduelist:

i would make an excellent goon. i’d be like ”on it boss” and then i’d fuck it up instantly.

seraphtrevs:

STOP no more live-action remakes. We’re going the other way now. Animated Casablanca. Animated The Godfather. Animated Oppenheimer. Animated Fight Club.

darcyolsson:

yesterday i went to a party and i kissed this girl and she kept trying to give me her linkedin and i was like …LINKEDIN? and she said yes linkedin. so i said i dont use linkedin. do you have instagram though. and she was like yes i do have instagram. you should add me on linkedin. and i said i dont use linkedin. and she said i will add you on linkedin. and i said girl give me your instagram you are NOT flirting with me through linkedin. and she was like. ok. fine. here’s my instagram then. and gave me her instagram, which she clearly uses a lot, so it wasnt even that she only uses linkedin but rather that she just wanted to talk to me through linkedin specifically. fascinating woman if i wasnt already attracted to her her unwavering loyalty to linkedin wouldve drawn me in for sure

tributary:

saharathorn:

Love how “progressives” have circled back around to “there are two races: indigenous (magic nature people) and colonizers (evil mutants).”

image

not irish myself but i can appreciate a good tag

pmamtraveller:

THE FLOOR SCRAPERS (1875) by GUSTAVE CAILLEBOTTE   In this painting, three workers, naked from the waist up and completely absorbed in their strenuous labour, scrape away old layers of varnish in what is to become CAILLEBOTTE'S first studio.ALT

THE FLOOR SCRAPERS (1875) by GUSTAVE CAILLEBOTTE


In this painting, three workers, naked from the waist up and completely absorbed in their strenuous labour, scrape away old layers of varnish in what is to become CAILLEBOTTE’S first studio.

The viewer observes the scene from the far end of the room and the floor seems to angle severely upward toward the window that is illuminating the portions of the floor that they haven’t yet scraped as well as their bent and muscled backs.

In fact, THE FLOOR SCRAPERS is one of the very first paintings representing the “urban proletariat,” according to the MUSÉE D'ORSAY. “Whereas,” explains the museum, “peasants (Gleaners by Millet) or country workers (Stone Breakers by Courbet) had often been shown, city workers had seldom been painted”

CAILLEBOTTE did not, however, infuse this work with social or political meaning. Instead, the painting seems more like a visual document of an exceedingly banal event. At the most, he may have been connecting the careful labour of floor refurbishing to that of creating a painting like this one with such precision, a clearly laborious undertaking.

weepingwitch:

another thought about “gen z and gen alpha don’t know how to use computers, just phone apps” is that this is intentionally the direction tech companies have pushed things in, they don’t want users to understand anything about the underlying system, they want you to just buy a subscription to a thing and if it doesn’t do what you need it to, you just upgrade to the more expensive one. users who look at configuration files are their worst nightmare